From Screen Rant:
“As Star Wars: The Rise of Skywalker quickly approaches to usher in the end of the Skywalker saga and fans are still locked in heated debates over Star Wars: The Last Jedi, it’s time to look back, once again, to another controversial Star Wars debate, the prequels.
Now that we’re 20 years separated from the release of Star Wars: The Phantom Menace, the debate over whether or not the prequels are good or bad is beyond tiring, but regardless of the actual cinematic quality of the prequels, their importance to the franchise can’t be overstated.
With numerous books and cartoons bringing additional clarity to the prequels in recent years, many people have said Lucasfilm is “fixing” the prequels, and while it’s true this additional canon material has helped fans come to a better understanding of the story of the prequels, saying it “fixes” the prequels suggests they were fundamentally broken in the first place, which just isn’t true.
THE PREQUELS WERE MISUNDERSTOOD
Since the prequels have come and gone, Star Wars fans have already gone through another cycle of the highs and lows of a Star Wars franchise revival. The Phantom Menace was coming after over a decade and a half without Star Wars movies to tell the story of how the galaxy got to where we find it at the start of Episode IV, Star Wars: A New Hope.
What everyone expected at the time was a return to the Star Wars that they loved, but George Lucas did something entirely different. When Star Wars: A New Hope (or, just Star Wars at the time) was released, it was heavily influenced by Akira Kurosawa, Flash Gordon serials, and John Ford westerns all wrapped up in a lived-in futuristic post-Word War II aesthetic, but the prequels struck a very different look and feel.
Taking place 3 decades before the events of the original trilogy, yet created a decade and a half after Star Wars: Return of the Jedi, Star Wars: The Phantom Menace not only takes place in a galaxy entirely untouched by the turmoil that led to the rise of the Empire and the world we are introduced to in the Star Wars original trilogy, but also derives different story and design inspirations.
While the Kurosawa and John Ford inspiration doesn’t vanish, Star Wars: The Phantom Menace and the other prequels leaned way more into the Flash Gordon inspiration, also getting heavy influence from works like Isaac Asimov’s Foundation books, and fittingly leans into Shakespearean drama to tell the story of the collapse of the Republic. Almost everything in the original trilogy was old and lived-in, but the prequels roll the clocks back a few decades to introduce designs that also take influence from a few decades earlier in the real world, while also including a less worn-down version of many of the trappings of the original trilogy.
The movies looked and felt different, but that was because the universe actually was different. It wasn’t yet savaged by the conflict of the Clone Wars, the Republic hadn’t been taken over by a Sith Lord and turned into the Galactic Empire, and the Rebel Alliance hadn’t yet started a Galactic Civil War against the Empire. The characters that inhabited that world were also far less cynical, even naive, particularly the Jedi, as a result.
The phrase “special something” or “magic” are thrown around to describe what made Star Wars so special, and many people claimed the prequel trilogy lacked that, and while discussions could be had (and have, for 20 years now) about the dialogue and acting and the quality of the VFX, it really comes down to expectations. The dialogue, acting, and VFX in the original trilogy are also imperfect many times, and it didn’t all age perfectly, either. The difference is the prequels were saddled with expectations before anyone had even seen a single frame of the movie.
We’re still suffering the fallout of the initial prequel reaction, as Lucasfilm and Disney constantly emphasize the use of real sets and practical effects on the sequel trilogy, but the prequels also had an abundance of practical sets and effects (even more than the original trilogy, in fact), and while detractors have picked apart low points in the VFX of the prequels in the decades since their release, much of the prequels’ use of CGI goes entirely unnoticed because of how well it’s stood up.
The prequel backlash, therefore, is rooted way more in expectations derived from a nostalgic view of the original trilogy, as well as a misunderstanding of what Lucas was even going for in Episodes IV, V, and VI in the first place (more on that later). […]
THE STAR WARS PREQUELS NEVER NEEDED FIXING TO BE UNDERSTOOD
Looking at the abundance of new stories that help contextualize and explain what was happening in the prequels often leads many fans to say the extra canon material “fixed” the prequels, but that makes the assumption that this level of nuance wasn’t already present in the films themselves, when, in fact, the stories aren’t already presented in the prequels, but the subversive nature of the story is even set-up in the original trilogy.
Anakin was rejected by the Jedi from his first appearances in front of the Jedi council. After examining him and confirming his abilities, the council pushed back against Qui-Gon’s desire to train him, and Anakin never forgot that. Getting off on that wrong foot led to him mistrusting the Jedi’s stance on many things, including their views on love and attachment.
When he’s falling in love with Padme and having nightmares about his mother, the council isn’t helpful, simply telling him he needs to be willing to let go of the things he’s afraid of losing. And through it all, the only person, other than Obi-Wan Kenobi, who praises Anakin’s powers, trusts his judgment, or offers aid is Supreme Chancellor Sheev Palpatine. So, when matters ultimately force Obi-Wan to side with the Jedi, that leaves a Sith Master as the only person who has been empathetic or expressed a desire to help Anakin in his struggles.
This is a major failing of the Jedi, and it’s not something that comes out of left field. Obi-Wan Kenobi may have declared that the Jedi were guardians of peace and justice in the galaxy for a thousand generations, but that doesn’t mean the Jedi were right in the prequels. In fact, the original trilogy is a condemnation of the old Jedi, Obi-Wan and Yoda, who tell Luke the only path to victory is to kill Darth Vader.
Luke ultimately rejects the ideology the previous generation of Jedi at the end of Star Wars: Return of the Jedi, the same ideology that led to the fall of the Jedi and the rise of the Sith, and it’s through his refusal to kill Vader that ultimately serves as the demonstration of love Anakin Skywalker needed all along, bringing him back from the dark side to (apparently temporarily) defeat Palpatine and overthrow the Empire.
Unfortunately, this kind of reflection wasn’t in high demand when George Lucas made the prequel trilogy, so it wasn’t until years later when other material pointed out the nuance that already existed in the storytelling of the prequels that they finally started to gain mainstream acceptance, and now we live in a day and age, 20 years after the release of Star Wars: The Phantom Menace, where the prequels have never been more highly regarded. […]”